Man Ray

Man Ray

Marlene Dumas

Marlene Dumas, The Mother, 2009

Mirtha Dermisache

S/título,  c.1972

S/Título 1973

S/Título c. 1970

S/Título, 1970

"I started writing and the result was something unreadable. In fact, illegibility is a key aspect of my work. With hindsight, I must admit that all my works create some tension between the communication formats offering a stable framework and the act of writing, which provides the unstable dimension. Maybe it’s like saying that for me the liberation of the sign takes place within culture and history, and not on their margins. In this sense my work is not behind the times, at all. Graphically speaking, every time I start writing I develop a formal idea that can be transformed into the idea of time. My work is characterized by movement. There are no closed forms.

There are no secrets in my work. I develop a form up to its highest point of evolution. You will never find any title referring to feelings or psychological dimensions. Titles just identify the format, i.e. they tell how to organize writings on the paper and possibly their order of appearance in a given year of production."

Mirtha Dermisache, September 2011

Mirtha Dermisache, Buenos Aires, 1940-2012

La main de Magritte

Marcel Marien, La Main de Magritte, 1945.

Maurice de Vlaminck

Maurice de Vlaminck, 1904

Marc Chagall

Marc Chagall, L'Arbre de Vie, 1976

retratos do ar

 Man Ray's studio, 8th Street, NY, 1920 

Miguel Branco

Miguel Branco, S/título (Cavalo Negro), 2018

Marc Chagall

Marc Chagall, Les Trois Anges reçus parAbraham, 1931

Fátima Maldonado

(...)
No fim são quatro pérolas
numa taça de vidro.

Fátima  Maldonado, Cadeias de Transmissão

Minor White, Chinatown, San Francisco, 1950

Marc Chagall

Marc Chagall, Le Violiniste Bleu, 1929

Matisse

Man Ray

Man Ray, Max Ernst (1934)

Marius Borgeaud

Marius Borgeaud, La Chambre Blanche, 1924

Marius Borgeaud, Fenêtre, 1924

Marius Borgeaud, La Reprieuse de bas, (A Cerzideira), 1920

Marlene Dumas

Marlene Dumas, Measuring Your Own Grave, 2003

Meret Oppenheim

Meret Oppeinhem, Enchantment, 1962

Masao Yamamoto

Martin e Paula

Martin Gusinde,
Selk'nam man dressed for Hain Ceremony,
 1923

Desenho a coisa até à sua existência - só consigo pensar fazendo . 

Paula Rego

Max Tilke

Max Tilke, Oriental Costumes - Drawings  (Egipte), 1922

Max Tilke, Oriental Costumes - Drawings  (Egipte), 1922

Max Tilke, Oriental Costumes - Drawings  (Turkestan), 1922

Max Tilke, Oriental Costumes - Drawings  (West Sudan, Togo), 1922

Michael Helzer

Michael Helzer, North, East, South, West, 1967

Michael Helzer, Displaced Replaced Mass, 1977

Michael Helzer, Levitated Mass, 2012

Michael Helzer, Fragment A, 2016