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| Kiripi Katembo, Un Regard, 2011 |
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| Kiripi Katembo, Un Regard, 2011 |
24 fevereiro, 2016
23 fevereiro, 2016
Kiki e Uda
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| Kiki Smith, Nuit, 1992 |
Aves, ramos, pedras
todos vestidos de branco -
tempo de partir?
Uda Kiyoko em O Japão no Feminino II, Haiku séculos XVII a XX, trad.Luísa Freire
22 fevereiro, 2016
21 fevereiro, 2016
Mitsuhashi Takajo
CT, 2000A mulher de pé
sozinha, pronta a avançar
pela Via Láctea.
Mitsuhashi Takajo em O Japão no Feminino II, Haiku séculos XVII a XX, trad.Luísa Freire
20 fevereiro, 2016
Uda Kiyoko
Metade do corpo
num sonho; a outra metade
dentro da neve.
Uda Kiyoko em O Japão no Feminino II, Haiku séculos XVII a XX, trad.Luísa Freire
19 fevereiro, 2016
book
I am certain of nothing but of the holiness of the Heart’s affections and
the truth of imagination.
John Keats
14 fevereiro, 2016
Joan Mitchell
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| Joan Mitchell |
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| Joan Mitchell |
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| Joan Mitchell, 1961 |
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| Joan Mitchell, Untitled, 1964 |
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| Joan Mitchell |
“Although there is no specific place, nature is more ‘really’ present than in most representational paintings. It is because of the ‘reality’ of the details. The details, shaped like brushstrokes, have committed shapes, and the colors have committed texture, hue, and substance. They are not muddy, which has nothing to do with the presence or absence of browns or grays, but with their being clearly what they are. Miss Mitchell has been attentive to outside nature and her inner experience, and she gives you something real.”
Fairfield Porter on Joan Mitchell. From Reality and the Museum, 1961.
13 fevereiro, 2016
Helene Schjerfbeck
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| Helene Schjerfbeck , School Girl in Black, 1908 |
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| Helene Schjerfbeck, My Mother, 1909 |
12 fevereiro, 2016
10 fevereiro, 2016
09 fevereiro, 2016
é preciso é querer saber
Entrevista ao diretor do Museu do Aljube, por FMG
(tanto que há para descobrir dos que lutaram pela liberdade)
(tanto que há para descobrir dos que lutaram pela liberdade)
08 fevereiro, 2016
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