02 dezembro, 2019

Mirtha Dermisache





S/título,  c.1972



S/Título 1973


S/Título c. 1970


S/Título, 1970












"I started writing and the result was something unreadable. In fact, illegibility is a key aspect of my work. With hindsight, I must admit that all my works create some tension between the communication formats offering a stable framework and the act of writing, which provides the unstable dimension. Maybe it’s like saying that for me the liberation of the sign takes place within culture and history, and not on their margins. In this sense my work is not behind the times, at all. Graphically speaking, every time I start writing I develop a formal idea that can be transformed into the idea of time. My work is characterized by movement. There are no closed forms.
There are no secrets in my work. I develop a form up to its highest point of evolution. You will never find any title referring to feelings or psychological dimensions. Titles just identify the format, i.e. they tell how to organize writings on the paper and possibly their order of appearance in a given year of production."

Mirtha Dermisache, September 2011


Mirtha Dermisache, Buenos Aires, 1940-2012

01 dezembro, 2019

Pierre Boucher

                  Pierre Boucher, Henri Matisse,Nice, 1946

Pierre Boucher, Henri Matisse,Nice, 1946



Pierre Boucher, Serge Lifar no papel de Ícaro, no bailado de Diaghilev,1946



































































Pierre Boucher, Janine Prévert, 1938


Pierre Boucher, L'Eau, 1935
























29 novembro, 2019

Bridget Riley

Bridget Riley, Untitled (Study for Circular Movement), 1961

24 novembro, 2019

Honoré Daumier

A imagem pode conter: uma ou mais pessoas
Honoré Daumier, Fumador e Bebedor de Absinto, c. 1860

22 novembro, 2019

Frederico Mira George

Frederico Mira George, Carta de Despedida I, Évora, 2019

16 novembro, 2019

Andre Kertesz

Washington Square Day. 1954.
Andre Kertesz, Washington Square Day, 1954

Raoul Dufy

A imagem pode conter: uma ou mais pessoas
Raoul Dufy, Autoretrato, 1901

Those Winter Sundays


Sundays too my father got up early


And put his clothes on in the blueback cold,

then with cracked hands that ached

from labor in the weekday weather made

banked fires blaze. No one ever thanked him.

I'd wake and hear the cold splintering, breaking.

When the rooms were warm, he'd call,

and slowly I would rise and dress,

fearing the chronic angers of that house,

Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love's austere and lonely offices?



Robert Hayden (1913-1980), Those Winter Sundays

02 novembro, 2019

Ernst Haeckel

Ernst Haeckel, Artforms of Nature, Líquenes, 1904



















































Le Monde de la Mer

Nenhuma descrição de foto disponível.
Alfred Frédol , (Molusco sem concha)  Le Monde de La Mer, 1866




















(via An Na)

James Ensor na praia

A imagem pode conter: uma ou mais pessoas, árvore e ar livre
James Ensor na praia de Ostende, c.1890



31 outubro, 2019

definição de desenho

O Desenho é o risco que percorre tudo o que existe, de dentro para fora e de fora para dentro, é uma qualidade que se acrescenta aos sentidos.

Frederico Mira George, outubro 2019

11 outubro, 2019

Kiki Smith

Nenhuma descrição de foto disponível.
Kiki Smith, The Blue Feet, 2003


Retrato de um Pintor

Nenhuma descrição de foto disponível.
Retrato de um pintor, reinado de Mehmet II, Dinastia otomana,
atribuído a Constanzo da Ferrara, c.1450-1480



04 outubro, 2019

Rose algae (b&w)

Cristina Tavares, Rose Algae (b&w), 2019

Piero della Francesca

A imagem pode conter: uma ou mais pessoas e noite
Piero della Francesca, Sigismondo Pandolfo Malatesta, 1451




La main de Magritte

A imagem pode conter: 1 pessoa
Marcel Marien, La Main de Magritte, 1945.




19 setembro, 2019

Franz Kline

Franz Kline, s/título, 1952

18 setembro, 2019

André Breton

André Breton, Poème-Object, 1953

16 setembro, 2019

Bridget Riley

Ida Kar, Bridget Riley, 1963