22 fevereiro, 2016

bronze romano

21 fevereiro, 2016

Miguel Branco

Miguel Branco, Untitled (Dog), 2015

Mitsuhashi Takajo

CT, 2000



















A mulher de pé
sozinha, pronta a avançar 
pela Via Láctea.

Mitsuhashi Takajo em O Japão no Feminino II, Haiku séculos XVII a XX,  trad.Luísa Freire

20 fevereiro, 2016

Uda Kiyoko

CT, 1998




















Metade do corpo 
num sonho; a outra metade
dentro da neve.

Uda Kiyoko em O Japão no Feminino II, Haiku séculos XVII a XX,  trad.Luísa Freire

19 fevereiro, 2016

book

CT, book, 2016

















I am certain of nothing but of the holiness of the Heart’s affections and the truth of imagination.

John Keats

14 fevereiro, 2016

letter


CT, letter, 2016


word

CT, word, 2016



CT, word, 2016


Joan Mitchell

Joan Mitchell

Joan Mitchell



Joan Mitchell, 1961



Joan Mitchell, Untitled, 1964

Joan Mitchell














“Although there is no specific place, nature is more ‘really’ present than in most representational paintings. It is because of the ‘reality’ of the details. The details, shaped like brushstrokes, have committed shapes, and the colors have committed texture, hue, and substance. They are not muddy, which has nothing to do with the presence or absence of browns or grays, but with their being clearly what they are. Miss Mitchell has been attentive to outside nature and her inner experience, and she gives you something real.”
Fairfield Porter on Joan Mitchell. From Reality and the Museum, 1961.

13 fevereiro, 2016

Helene Schjerfbeck

Helene Schjerfbeck , School Girl in Black, 1908


Helene Schjerfbeck, My Mother, 1909

10 fevereiro, 2016

Jack Spencer

Jack Spencer, West Texas Road, 2004

07 fevereiro, 2016

Sophie Tauber-Arp

Sophie Tauber-Arp, Equilibre, 1931

06 fevereiro, 2016

um ano depois

Fairfield Porter, Sun and Sea






































Fairfield Porter, Sun and Sea, 1975